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Review: Motion 5 | Macworld.

 

Somewhere between editing video and designing full-blown motion graphics, there are countless jobs that require making things move. It may be making titles, handling transitions, moving around video and imagery in two-dimensional and three-dimensional scenes, masking, compositing, or generally arranging assets for purposes of utility or eye candy. It is neither unique in that regard, nor does it do more than other rival tools; instead, it promises to perform these tasks more quickly and with less effort.

In its latest release, coming alongside Final Cut Pro X FCP X , it sports a new look, expanded keying and parameter control, and a new under-the-hood architecture for greater performance. It also boasts new capabilities as a Final Cut companion. So, is Motion 5 a must-have add-on for the new Final Cut, or even as a complement to rival editors or previous versions?

Motion expands on its interactive, live control of visuals by allowing you to consolidate parameters into Rigs. Assign controls, and you can use these within Motion to orchestrate various visual elements at once, or export to Final Cut, where they provide live control for yourself or a collaborating editor. Motion, like FCP X, includes changes both visible and under-the-hood. The engine, now rewritten in Cocoa, incorporates OpenCL support for accelerating computation on compatible graphics cards, bit architecture for optimized computation and access to greater memory resources, and support for Grand Central Dispatch multithreading technologies—all of which combine to help you squeeze the most out of your available hardware.

These changes cover the whole tool, from plug-ins to effects to rendering. More visible are other subtle but significant enhancements to functionality and control. You can now take advantage of resolution independence—ideal for targeting multiple formats. You can combine parameters into rigs to consolidate live control of your compositions, and then publish those controls to smart templates and FCP X.

Move your playhead to an area where you can see all of your elements onscreen, or double-click in the Time field and enter 3. In the Layers tab, reveal the content of the Background Group by clicking the disclosure triangle. You will see a single layer that is a still image; it has a radial gradient, as shown in the following screenshot:.

Since this is a still image from another application, we have to add a filter to change its color. Go to the Filters category, select the Color Correction folder and locate Colorize use the following screenshot as your guide. Drag it to the Background Elements layer. Press F3 to go to the Filters tab of the Inspector.

Control-click the Remap White value and select a blue color of your liking. Let's repeat this step for the ribbon. Click the disclosure triangle to close the Background group. Click the disclosure triangle to reveal the content of the Graphics group and the Ribbon group, as shown in the following screenshot:. The Ribbon group is composed of three rectangle objects that have behaviors animating them onscreen. While we can locate the original rectangle shapes and tweak their color, it's a lot easier if we add a filter to the group and change the color for all the elements within that group.

Go to the Filters category, select the Color Correction folder, and locate Colorize. Drag it to the Ribbon group in the Layers tab, as shown in the following screenshot:. Right-click on the Remap White value and select a yellow color of your liking. Repeat this step for Remap Black with a slightly off yellow color from your previous selection. Click the disclosure triangle to close the Graphics group.

Open the Text group. There are five text elements, one for each text line onscreen. To change the text, select the Title here group. Press F4 to go to the Text tab of the Inspector. At the bottom, change Title info here to Motion 5. Repeat this step for the subtitle layers. The following screenshot shows the Format Pane tab in the Inspector for the Subtitle group:. The following is a shot of the Canvas showing the template once all subtitle groups have been changed:.

When you open a template, you never switch the original file on the system. That's why in this recipe when you selected the template, Motion only gave you the option to open a copy. The original templates will never be overwritten.

Having trouble differentiating what every item is? Here comes solo to the rescue. You can see that item all by its lonesome. To unsolo, go back to the Object menu and click Solo again. Motion is all about playing. If you didn't understand how everything worked in this recipe, relax.

There is a lot of content in it we did not cover. Simply have fun by looking and playing with a few properties. With time, it's going to get easier and easier. The Moving and trimming layers in the Timeline and the mini-Timeline recipe. Sometimes trying to remember all the keyboard shortcuts from several applications can be a daunting task. We can easily customize our keyboard in Motion to suit our individual needs. With a blank Motion project open, go to the Motion menu and choose Commands Customize.

For those of you who use FCP X, the following interface should look very familiar:. The keyboard is currently using the standard shortcuts that ship with Motion shown in the next screenshot. In order to make changes, we need to duplicate the keyboard. Click on the Keyboard Set menu and choose Duplicate. Rename the keyboard to your liking. Click on the letter A. Notice that in the Key detail field, all the commands associated with A show up. One of them is Record Animation.

Notice that it's color coated, allowing us to see what category it belongs to under Command List. Let's remap our keyboard to reflect that in Motion. Click on the Record Animation field in the No Modifier column and drag it out of the box until you see a puff of smoke; now release your mouse.

In the Command List , choose Tools. Now, click Save. Test out your newly-mapped keyboard by hitting T to activate the Text tool followed by A to jump back to the Edit tool. The Looking under the hood — key preferences for your workflows recipe. Like Final Cut Pro X, Motion 5 has a number of preferences we can change to modify the way it works from its default settings.

Let's look at a few key preferences we can change which may be able to assist us in our workflows. Navigate to the Content folder near the bottom. The following screenshot shows the AquaBall image being added to the tenth frame in the mini-Timeline:.

There are two default preferences at play here that we should be aware of. The first is that when you import a layer into Motion, it will always get added at the playhead position. When you're first starting to use the application, this can be very frustrating. Second, this was a still image and, by default, if you drag it 10 frames to the left, you'll notice it matches the length of the project. Let's change this now. Select the AquaBall image in the Layers tab and press Delete.

Go to the Motion menu and choose Preferences. Click on the Project tab. Set Default Layer Duration to Use custom duration and set the length to one second.

Set Create Layers at to Start of project. Let's close the preference window. With your playhead still at 10 frames and the AquaBall visible in the Library tab, apply it to the project again. Notice its length and where it gets added, as shown here:. Go back to Motion Preferences and change back the preferences to their defaults. We've only scratched the surface of some of the preferences available to us in Motion.

Go back to the Preferences menu and get more familiar with some of the other preferences under the different tabs. For instance, under the Canvas tab, the grid and ruler controls refer to items we can turn on under our View menu View Show Rulers and View Overlays Show Grid to help us align objects in the Canvas.

Sometimes, it is beneficial to be able to grab a group of stills and have them sequentially laid out in the Timeline with the click of a button. This recipe explains how we can set up our preferences and select multiple photos and perform this recipe in a flash. Launch Motion.

Choose Open. Change Default Layer Duration to Use custom duration and set the length to one second. Close Preferences. Turn off the Collapse Image Sequences icon on the lower-right corner of the File Browser so you can see all the photos.

You should see 20 photos displayed; change from icon view to list view, as shown in the following screenshot:. Make sure your playhead is on the first frame of the project. Drag the photos into the Timeline and try to align it with your playhead while holding down the Shift key. Wait for the pop-up window, and choose Sequential , as shown here:. Drag upward between the Timeline and the Canvas to get a better view of the Timeline:.

Change the Layer view in the Timeline from Small to Mini to fit more layers on screen, as shown here. Scroll down on the right-hand side to see more of them.

Notice how every second a photo appears until the project ends. At the start of this recipe, we chose to turn off Collapse Image Sequences when bringing in our photos.

What happened is because some photos were named sequentially, Motion flagged this and thought we wanted to treat it as an image sequence. In the later chapters, we'll see how image sequences can be extremely useful in Particles and Replicator cells.

Using an image sequence in a particle emitter , Chapter 7 , Let's Make Particles. In some of the previous recipes, you may have seen that the Layers tab can become a very busy place. It's important as Motion graphic designers to feel comfortable where we're working.

Let's look at a few tricks we can use to manage our Layers tab as we work in Motion. Under Composition , select the Pulse category and choose Pulse — Open. Click Open a copy. The project has three groups comprising of various elements from the project. Let's play back the project to get a feel for it. Press the Space bar. This project consists of four different views of our animating circles and pulses. With the addition of its new metal-based processing engine, video editors will feel improvement in playback and accelerate graphics tasks including rendering, compositing, real-time effects, exporting, and more.

Now users can create smart motion templates with simple controls that could be instantly published to Final Cut Pro X. You may also like Compressor 4. To deal with 2D and 3D compositions, it gives users full control to build stunning 2D and 3D compositions with more than Apple-designed elements. In 2D and 3D Titles editing, its rich library allows users to use basic templates to get started quickly or choose cinematic templates that include beautiful backgrounds and animations.

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Motion Free Download Full Version - ALL PC Worlds | Intel M1 Apps - Creativity that moves.

   

Motion is a software application produced by Apple Inc. It is used to create and edit motion graphicstitling for video production and film productionand 2D нажмите чтобы узнать больше 3D compositing for visual effects. Version 1. Features introduced in Motion 2: [3]. In January Apple stopped selling Motion as a stand-alone product.

Features introduced in Motion 3: [4]. Motion 4 reviee introduced on July 23, Motion 5 was introduced on June 21, New features:. Motion 5. New features: [8]. New features: [12]. New feature: [13]. See also a release history in context with the rest of Final Cut Studio.

Motion is a motion graphics and compositing application similar in some ways to Приведенная ссылка Effects and Nuke. With version 3, Apple added 3D compositing, vector paint, and motion tracking to Motion's toolbox.

This added power, plus the GPU accelerated nature of Motion, allows it to mogion seen as an alternative to those packages for titling and simple animation projects. Features of Motion include the ability to create custom particle effects as well as using pre-built apple motion 5 review free and to add filters, effects and animations in real time. Motion 2 can also integrate with a MIDI keyboard, so that parameters can be controlled by keys or faders; this opens up the possibility of real time parameter input into Motion.

In addition Motion 3 now allows for complete 2D and 3D compositing in a multiplane environment. As well as supporting traditional keyframe animation, Motion introduced a system of pre-set 'behaviors' which can be combined to create realistic animations. Apple motion 5 review free instance, the 'throw' behaviour will move an object apple motion 5 review free the screen. Combined with the 'gravity' behavior, it will simulate a realistic arc of motion.

The effects can be tweaked utilizing various parameters, varying the strength of the bounces, the amount of gravity to apply and so on. This is very different from traditional animation software, which requires the use of keyframes to determine the position of an object at any given time. Such software then automatically creates motion to fill the spaces between the keyframes.

This makes it easy to fdee exactly where objects are on the screen at any given time, but it is considerably more difficult to create realistic animations that build up on different, conflicting forces.

In Version 2 a new 'replicator' function was introduced, which allows an object to be replicated to apple motion 5 review free a repeating pattern of a specified size and shape. With this tool, it is possible to create animations in which the elements of a replicated pattern move in sequence.

The direction and intensity can be adjusted, and combined with behaviors to create very complex animations quickly and cree. For example, a particle emitter used in conjunction with a star shape and the 'vortex' behaviour would animate a circle of swirling stars.

Motion features a floating semi-transparent window "heads-up display", or HUD which displays /41418.txt most frse altered parameters of the object or effect currently selected. This allows the user ftee make quick adjustments without having to search through palettes and menus. However, exact a;ple values cannot be entered in this window.

For more precise editing, consult the Inspector window. Motion has the following tools available for the creation or manipulation of graphics on the canvas:. Recording is used for adjusting an object over a specific amount of time by placing and manipulating keyframes. When the button is selected, it lights up red and the dot turns white. Any adjustments made when the button is selected are saved as keyframes.

Keyframes act as placeholders that solidify an object's characteristics at a single frame anything from position and rotation apple motion 5 review free cropping and size. Using multiple recordings, an object shall reorient itself between the two keyframes to match each set characteristics.

Recording can act as an alternative to movement behaviors that allow more in-depth adjustments. Motion uses pixel shaders which move the apple motion 5 review free of video effects to the Graphics Processing Unit GPU of a modern graphics card.

Like pixel shaders, Core Image 'stacks' various effects, allowing a number of effects to be combined without slow-down. A faster graphics card improves performance. In Motion, users import their own graphics files and use pre-prepared graphics such as deview and shapes. Objects can be grouped into layers, but they always retain their own distinct identity. These various parts are then grouped apple motion 5 review free a single layer. Selecting that layer permits moving all rview the objects as a single body While not dedicated to compositing, the open source software Blender contains a limited node-based compositing feature which, among other things is capable of basic keying and blurring effects.

From Wikipedia, the free encyclopedia. Video software application produced by Apple Inc. This article is about the animation software. For the motion detection apple motion 5 review free, see Motion surveillance software.

Apple motion 5 review free of www. Internet Archive Wayback Machine. Archived from the original on August 11, Retrieved May 15, Archived from the original on May 11, Retrieved July 12, What's New". Archived from the original on March 3, Archived from apple motion 5 review free original on May 19, Retrieved April 30, Retrieved March 19, Apple professional video applications. Software by Apple Inc. Digital compositing software. Motion graphics and animation software.

Apple motion 5 review free Animator. Adobe Director Avid Elastic Reality. Categories : Apple Inc. Video editing software Compositing software. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Screenshot Of Motion 5. Apple: Motion.